Recently produced by Jem Cohen in 2004, the motion picture bowed stringed instrument takes us on a journey. Two journeys, actually, journeys that appear to cross, nevertheless inexplicably never meet. This narrative documentary of two women living amidst a homogenous urban/suburban backdrop is a collocation of their respective(prenominal) tales, stories that on the surface area apparently vastly different, and in truth are intimately connected. Tamiko and Amanda, representing opposite ends of sophisticated society, are our two stars in this film. Tamiko, the well-paid Nipponese office imposter looking for commercial property opportunities in the US, initially appears to be the more normal of the two, turns out to be awkward, almost robotic and seemingly obsessed with her day job and The Comp any. Amanda on the other manus is a teenage run-away cobbling together a unutterable existence on the margins of society, apparently just another dreamy, job-hunting deposit wit h no real purpose in life. This demand comparing of two vastly different entities is one subtle lay out of the far-reaching and widely varying effects of globalization, Tamiko being new to the commonwealth through her business dealings, and Amanda appearing to be too carefree to make an effort to do anything. Moreoer, Amandas obsession with malls and Tamikos employment with an world(prenominal) Japanese corporation further affirm this.
Taking a deeper look, the vociferous erosion of regional character giving way to bodied homogenization of landscape was cleverly embedded into almost any setting of the characterization by director Jem Cohen. Glob! alization has direct to this gradual convergence in scenery that is taking consign all all over the world, as it was impossible to tell where the motion-picture show was being shot. In truth, scenes from the movie had been shot all over the world, but one could only know this having waited for the credits to spill up after watching it;... If you want to get a panoptic essay, order it on our website: OrderCustomPaper.com
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